Piwacket

Piwacket

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Antoinette Perry Broadway Theater Concert
  • Todd Haimes Theatre, section: Mezzanine, row: A, seat: 136
    The Pirates of Penzance
    Good view. Would sit here again.
  • Todd Haimes Theatre, section: Mezzanine, row: A, seat: 135
    The Pirates of Penzance
    Good view. Would sit here again.
  • Premier Theater at Foxwoods, section: Parterre RC, row: FF, seat: 110
    Daryl Hall with opener Glen Tilbrook (Squeeze)
    Great view for a comp.
  • Premier Theater at Foxwoods, section: Parterre RC, row: FF, seat: 108
    Daryl Hall with opener Glen Tilbrook (Squeeze)
    Good centered view. Would sit hear again.
  • Vivian Beaumont Theater, section: Orchestra C, row: C, seat: 302
    Floyd Collins
    Excellent view. Would sit here again.
  • Vivian Beaumont Theater, section: Orchestra C, row: C, seat: 301
    Floyd Collins
    Excellent view of stage from an aisle seat. Would definitely sit here again.
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  • Terris Theatre, section: Orchestra, row: B, seat: 2
    Maltby & Shire's About Time
    Excellent view.
  • Terris Theatre, section: Orchestra, row: A, seat: 2
    Maltby & Shire's About Time
    Great view and legroom. Would sit here again.
  • Loeb Drama Center, section: Center, row: EE, seat: 14
    Two Strangers (Carry a Cake Across New York)
    Perfect seat. No obstructions and close for facial expressions. Comfortable with ample legroom.
  • Loeb Drama Center, section: Center, row: EE, seat: 13
    Two Strangers (Carry a Cake Across New York)
    Perfect seat. No obstructions and close for facial expressions. Comfortable with ample legroom.
  • Theater at Lyric Stage Boston, section: Right, row: CC, seat: 16
    Hello, Dolly!
    Good view in stadium seating so no heads block your view. Would sit here again.
  • Theater at Lyric Stage Boston, section: Right, row: CC, seat: 18
    Hello, Dolly!
    Good sightline to the actors. This seat is at the end of the aisle where there is a low-walled partition that does not interfere with your view. Stadium style seating so heads won't block your view. Extra legroom.
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  • The Huntington Theatre, section: Orchestra, row: K, seat: 19
    The Light in the Piazza
    Terrific theater where there probably isn't a bad seat. Very comfortable with ample legroom and good sightline.
  • The Huntington Theatre, section: Orchestra, row: K, seat: 17
    The Light in the Piazza
    Terrific theater where there probably isn't a bad seat. Very comfortable with ample legroom and good sightline.
  • Ogunquit Playhouse, section: Orchestra, row: C, seat: 12
    Come From Away
    Partial view seat; missed some of the stage left and upper level action. Tradeoff is that you are very close so you see facially expressions well at a discount price. Extra legroom and space between your seat and the wall. Too low arm rests constrict.
  • Ogunquit Playhouse, section: Orchestra, row: C, seat: 10
    Come From Away
    Partial view where action on extreme stage left and back center upper level are missed. Very uncomfortable tight seat. Tradeoff of being close and a discount price was worth it.
  • Premier Theater at Foxwoods, section: Parterre RC, row: EE, seat: 122
    Melissa Etheridge / Joss Stone
    Great centered seat with ample legroom. Fun to watch the lighting board booth just to the left which did not distract us from the concert.
  • Premier Theater at Foxwoods, section: Parterre RC, row: EE, seat: 120
    Melissa Etheridge / Joss Stone
    Great centered seat with extra legroom. Would love to sit here again.
  • Premier Theater at Foxwoods, section: Parterre L, row: MM, seat: 43
    Tom Jones tour: Defy Explanation
    Not bad for a complimentary ticket but would have preferred to be more centered and a bit closer. Some of the graphics projected on the back stage wall were obstructed from view. This man still sounds like he is in his twenties! Excellent show!!
  • James Earl Jones Theatre, section: Orchestra R, row: P, seat: 8
    Real Women Have Curves
    Last row. Would prefer a different seat. Felt claustrophobic. There is one seat to your right then the sound booth.
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