bway10

bway10

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  • Imperial Theatre, section: Orchestra L, row: L, seat: 21
    Chess
    Was worried this would be too far to the left but was surprised at what a full view I had. Agree with others that all action is center/front stage. You will miss people walking down the stairs on the left side, but it's infrequent and only for a second. Maybe for a show where you need to see to the back of the stage this is a less good sightline. EXTREMELY narrow seats, I was actively pulling my arms in to not bump my neighbor
  • Imperial Theatre, section: Orchestra L, row: L, seat: 21
    Chess
    Was worried this would be too far to the left but was surprised at what a full view I had. Agree with others that all action is center/front stage. You will miss people walking down the stairs on the left side, but it's infrequent and only for a second. Maybe for a show where you need to see to the back of the stage this is a less good sightline. EXTREMELY narrow seats, I was actively pulling my arms in to not bump my neighbor
  • Barclays Center, section: 207, row: 13, seat: 17
    New York Liberty vs Minnesota Lynx
  • Booth Theatre, section: Orchestra C, row: M, seat: 115
    John Proctor Is The Villain
    Perfect center view, no obstruction from mezzanine overhang
  • Longacre Theatre, section: Mezzanine C, row: E, seat: 106
    Dead Outlaw
    If there's a tall person in front of you you won't be able to escape their head, otherwise no issues. Would prob give 4 stars if I had been behind a shorter person (and I'm not short!)
  • Music Box Theatre, section: Orchestra C, row: L, seat: 105
    The Picture of Dorian Gray
    You don't necessarily need this good of a seat for this show bc of the screens but it's a great view of Sarah's incredible acting
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  • Todd Haimes Theatre, section: Orchestra R, row: O, seat: 4-6
    Yellow Face
    Second to last orchestra row, deep below mezz overhang. Not an issue for this show but may be for a split level set
  • Todd Haimes Theatre, section: Mezzanine, row: A, seat: 117
    English
    The safety railing is pretty low and not really an issue
  • Todd Haimes Theatre, section: Mezzanine, row: A, seat: 117
    English
    Bar didn't obstruct for this show
  • Broadway Theatre - 53rd Street, section: Orchestra L, row: O, seat: 12
  • Majestic Theatre, section: Orchestra C, row: N, seat: 106
    Gypsy
    Incredible seat, decent legroom. Photo taken seated from eye level
  • Majestic Theatre, section: Orchestra C, row: N, seat: 106
    Gypsy
    Incredible seat, decent legroom. Photo taken standing
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  • Hayes Theater, section: Mezzanine C, row: D, seat: 109
    Purpose
    Great sightlines but legroom is tight
  • Lunt-Fontanne Theatre, section: Orchestra R, row: WW, seat: 22
    Death Becomes Her
    TDF seats. The top right of the staircase is blocked for part of a scene. May be hard to see actors facial expressions if you have less than 20/20 vision. No seat in front of you so great legroom!
  • St. James Theatre, section: Orchestra L, row: G, seat: 13
    Sunset Boulevard
    Direct glare from stage lights in a few scenes. Full visibility otherwise. Cast comes past this section after intermission.
  • The Newman Mills Theater, section: ORCH, row: H, seat: 21
    All Nighter
    Aisle seat. Photo taken from eye level.
  • Minetta Lane Theatre, section: ORCH, row: N, seat: 5
    Swing State
    Last row of right section. The mezzanine overhang is not as big as it looks and does not block the view. You might have to move your head around the person in front a few times bc this show uses the whole wide stage.